My First ACEO

Sunday, December 31, 2006


If you've ever spent time browsing eBay for art, you've probably come across the term "ACEO" - it stands for Art Cards, Editions & Originals. ACEO's are affordable mini artworks that are the exact size of a baseball trading card (2.5" x 3.5") and are a great way to collect art. ACEO's may be matted, framed, traded, given as a gift within a greeting card, etc.

I've wanted to try my hand at these mini works of art since I first joined some eBay artist groups earlier this year. Finally found a little time and a reason to do one today! One of the eBay groups of which I'm a member is the Professional Animal Artists Online (PAAO) and they have a "theme week" on the last Friday of each month (items can be listed on Friday, Saturday or Sunday to be included in the theme week). This month's theme is the letter "T". The idea is that if we band together and list items with the same theme, our work might get noticed amongst the bajillion other items on eBay! Since the theme was "T", I painted this tiger. I titled the piece "Tyger, Tyger" after the poem "The Tyger" by William Blake. Google "the Tyger" and you'll find the poem. Click here to see my listings for the PAAO theme week.

I certainly plan to create more ACEO's - it'll be fun to have a whole collection of 'em, and I hope they'll find their way into someone else's collection!

It's been a busy month - I'll post a couple of the portraits I recently finished and some info about upcoming events in a few days.

I hope you had a wonderful Christmas/Holiday season and best wishes for a happy, prosperous and peaceful 2007!!

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Just Finished - Portrait of Bentley the Shetland Sheepdog

Friday, December 08, 2006

Bentley's portrait The medium is ink (pen & ink and ink washes) on scratchboard; the drawing measures 8"x10". I used EssDee professional scraperboard (aka scratchboard) and Koh-i-noor Ultradraw ink. I always use the Koh-i-noor ink, but this was the first time I'd used the "pro" scraperboard. I usually use either EssDee commercial grade scraper board or Paris scratchboard. The pro stuff is on a thicker board with a thicker surface (that's the scratch-able part). It's also textured - the commercial and Paris boards are smooth. I'd purchased it to use for drawings that require a lot of scratching - to give me more surface for re-working. This portrait did not require a lot of scratching (no more than a typical portrait of this style) but I hadn't tried the pro board yet. It worked fine and I'd use it again. It's more expensive than the other 2 types, so I'll reserve it for projects that really need it.

color reference photo greyscale reference photo Bentley's portrait: Stage 1 I've included the photos and the 2nd image to give you a bit of an idea about the process. (To learn even more about my scratchboard process, visit this page of my website.) I use a color photo and a greyscale version of the same image for reference. The grey version helps me see the tones and shades, but it's handy to have the color version to figure out details that might not be as obvious in the grey photo. The 2nd image shows my "value study" which I've painted directly on the scratchboard surface. It's chunky and rough - the tones aren't blended yet - but it provides my road map. By the time the portrait is finished, most of the ink that I laid down in this initial phase will have been scratched off! As I continue working, I refine and define the tones and textures by scratching the surface and then re-inking over the scratches (repeating as needed).

Bentley's a handsome, sweet guy and he was very obliging when I took his photos for the portrait. I remember we (his parents and I) kept telling him what a good boy he was even though we all knew he was deaf! I think he got the idea anyway. I'm pleased to report that his parents think the portrait is "stunning".

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Something Different - Needle Felting

Sunday, December 03, 2006

Felt Pony by Ann RanlettEarlier this year, I took a class in needle felting. I didn't know anything about the process, but I had seen some of the teacher's work in a local art show and asked her to contact me the next time she taught a class. The pieces she had in the show were sculptural, fanciful, colorful mermaids and other figures. At that time, I thought it would be great to figure out how to make some small animal sculptures for Christmas ornaments. I took the class sometime before Valentine's day, so our felting subject was a heart. It's a very simple technique, but the results are unique and limited only by one's imagination. I hadn't done any more felting until about a week ago when I decided it was time to make some ornaments to sell at the Auburn Old Town Gallery.

Even though it's a simple process, it's time consuming, so I've only finished a heart and a little pony, but I'm pleased with the results. If I can eke out a bit more time, I'll make a couple more hearts (much less complex to do than the pony). So, I'm showing off my two latest pieces: the heart is different on each side, so I've included a front & back photo; for the pony, I used woven multi-colored silk thread for the mane & tail. I also used the same thread for the hanger on both pieces.
Felt Heart (side 1) by Ann RanlettFelt Heart (side 2) by Ann Ranlett I suppose you'd like to know a bit more about the technique, so I'll try to explain the basics. . .
Everything is made from wool with the core of the piece made from a beige wool batting. Once the core has been shaped, then colored wools are wrapped around it. The colored wools are are softer and silkier than the batting and are called roving. A needle (or a few needles in a special holder) are used to "felt" the wool batting core by stabbing it with the needle. The needle has a barbed end that snags onto the wool fibers and tangles them together. As you keep working the wool with the needle, it becomes firmer and firmer. At first the core is a flat pad, but then you add more and more wool to it, continuing to work it with the needle to build up the desired shape. When the core shape is ready, then you wrap it with thin sheets of the colored wool roving and stab it with the needle to make it adhere to the core. Continue to add the colored roving around the core until the core no longer shows through. Where I used the silk thread on my pieces, I used the needle to stab the ends of the thread down into the core to anchor them. There are a number of places on the internet where you can order supplies and books for felting. I ordered my supplies from Weir Dolls & Crafts.

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- - - All art and images ©Ann Ranlett, unless otherwise credited. All rights reserved. - - -
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