Open Studio & Salmon Art

Saturday, September 29, 2012


I'm gearing up for another Open Studio event and this time, I'm part of a group of artists in my area. The Newcastle Art Studios Tour debuts on October 13th and 14th. This free tour of 5 locations showcases the work of 12 artists. For more details and a printable map, visit our web site. I'm #4 on the map. I'll have some new watercolor on Yupo paintings and some new scratchboard drawings since my last open studio in May. One of the paintings is of Ernie, the loveable shop dog at Clover and Carriage, my friend's shop in Old Town Auburn.


I'm really enjoying having my own permanent studio space, it's so much easier to set up for an open studio event. I don't have to pull everything out of storage to set up and when I'm finished, I don't have to put the displays away. There is some housekeeping to do: spiderwebs to knock down, some insects to vacuum up, some dusting, but that's a piece of cake compared to major set up and tear down!


On a different note, I completed this drawing of a salmon last week, just barely in time to enter it in the art show at the local "Calling Back the Salmon Celebration". I'm really glad I pushed to get it finished because not only am I very pleased with how it turned out, but it took Second Place in the art show! It will be hanging in a restaurant (Buonarroti) for the month of October, along with the other art show entries. Thanks to Art League of Lincoln for their assistance with the art show and coordinating the display at the restaurant.

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A Beetle Goes to London

Wednesday, September 05, 2012

In June I received an e-mail from Jasmina Cibic, a Slovenian artist. I wasn't sure what to make of it at first, but after some e-mail discussions with her, I decided to get on board. What she had proposed was part of a very interesting and unique project.

Her request of me was to contribute an illustration of an endangered beetle with a very unfortunate scientific name: Anophthalmus hitleri. She had been in touch with a number of other illustrators and she was asking us to draw our interpretation of this beetle without doing any research on it. Our drawings were to be based on our knowledge of beetles, scientific nomenclature, whatever information she provided and nothing else.

Below is an excerpt from Jasmina's initial e-mail:
"I am a London based artist and I am currently developing a new project for the European Capital of Culture in Maribor, Slovenia. The project is based on the story of discovery of an endemic beetle living in the northern part of Slovenia, which is in danger of becoming extinct solely because of its name.

I am looking for scientific illustrators from various parts of the world to collaborate on the project. It is a very complex installation, comprising of a film work and crystal models of zoological vitrines and a collection of drawings of the mentioned endemic beetle by various scientific illustrators from around the world. . . . The work would be exhibited within the installation and featured in the cataloge of the project that will be published by the public gallery Skuc gallery Ljubljana, Slovenia.

In 1933 Vladimir Kodrič happened upon a beetle in one of Slovenia's caves around Celje, which he thought might represent a new species. In 1937 the entomologist Oscar Scheibel confirmed this. As a Hitler sympathizer, Scheibel named the insect Anophthalmus hitleri.

A name of an organism can only be changed in extreme circumstances that have to do with the development of knowledge. Politically sensitive names cannot be amended, therefore all attempts to rename the beetle have been unsuccessful.

Because of the politically embarrassing name this beetle has been throughout its known existence held semi-secretive and even when it was featured on a Yugoslavian stamp in 1984, its Latin name was withheld. More recently, neo-Nazis in Slovenia have destroyed a part of its habitat, whilst collecting the specimens, after an article about its existence was published by the National Geographic in 2006."


So from this, all I knew was that it was a blind (Anophthalmus = without eyes) cave beetle. For my illustration, I used a reference photo of one of our local beetles, slimmed it down, made it less spiky and tried to make it look eyeless. This is the result:


I shipped the illustration to London as Jasmina requested and once I knew it had arrived, I looked up the actual beetle on the web. I found a good photo of a preserved specimen on Flickr:
Anophthalmus hitleri Scheibel, 1937
"My" beetle is more robust than the real thing, but somewhat surprisingly, I wasn't all that far off. I'm curious to see what other illustrators created. Jasmina will send a catalog of the exhibit ("Situation: Anophthalmus hitleri") when it's ready. There's some information about the installation on-line. It opens in November.

I scanned a couple of stages of my illustration. Here's an animated GIF of it:
The drawing is approximately 5.5" x 6.5" on an 8" x 11" piece of white scratchboard.


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- - - All art and images ©Ann Ranlett, unless otherwise credited. All rights reserved. - - -
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